Festival Internacional de Musica de Canarias
Oct. 14, 2023
Espacio la Granja
Santa Cruz de Tenerife
Oct. 15, 2023
Teatro Guiniguada
Las Palmas de Gran Canaria
Oct. 14, 2023
Espacio la Granja
Santa Cruz de Tenerife
Oct. 15, 2023
Teatro Guiniguada
Las Palmas de Gran Canaria
conductor
Nacho de Paz
PHACE
Doris Nicoletti, flute
Walter Seebacher, clarinet
Spiros Laskaridis, trumpet
Mathilde Hoursiangou, piano/keyb
Berndt Thurner, percussion
Samuel Toro Pérez, electric guitar
Jacobo Hernandez Enriquez, violin
Petra Ackermann, viola
Roland Schueler, cello
Maximilian Ölz, double bass
SOUND DESIGN
Alfred Reiter
Programm
Mirela Ivicevic
Case Black for 7 instruments & electronics, 2016 8’
José Luis Perdigón
ill-use III for bass flute, bass clarinet, piano, percussion, violin, cello and e-guitar, 2023 (wp)
Fausto Romitelli
Professor Bad Trip: Lesson I – III for ensemble and electronics, 1998-2000
21./23./25./26./27./28./30. Sep. 2023
sirene Operntheater
Jugendstiltheater am Steinhof
ARTISTS
Julia Purgina, Musik
Kristine Tornquist, Text
Julia Libiseller, Trickfilm
Johanna Krokovay, Mia
Romana Amerling, Sachbearbeiterin
Ingrid Haselberger, Arbeitslose, Gärtnerin
Benjamin Boresch, Sachbearbeiterin,
Blumenhändlerin
Vladimir Cabak, Arbeitsloser, Gärtner
Johann Leutgeb, Sachbearbeiterin, Kunde
Vokalensemble Momentum Vocal Music
Ekaterina Krasko, Sopran
Elisabeth Kirchner, Mezzosopran
Aleksandar Jovanovic, Countertenor
Simon Erasimus, Tenor und Leitung
Benjamin Harasko, Bassbariton
Ensemble PHACE
Doris Nicoletti, Flöte
Reinhold Brunner, Klarinette
Dominik Fuss, Trompete
Stefan Obmann, Posaune
Berndt Thurner, Percussion
Maria Chlebus, Percussion
Tina Žerdin, Harfe
Mathilde Hoursiangou, Klavier/Celesta
Maria Mogas Gensana, Akkordeon
Thomas Wally, Violine
Jacobo Hernández Enríquez, Violine
Anna Lindenbaum, Viola
Barbara Riccabona, Violoncello
Stefanie Prenn, Violoncello
Manuel Schager, Violoncello
Michael Seifreid, Kontrabass
Antanina Kalechyts, Musikalische Leitung
Kristine Tornquist, Regie
Michael Liszt, Markus Liszt, Je Jesch, Bühne
Maria Mitterlehner, Kostüm
Klara Leschanz, Maske
Paul Eisemann, Licht
Germano Milite, Animation und
Videotechnik
Petra Giacalone, Korrepetition und
Studienleitung
Selina Umundum, Assistenz und Inspizienz
Anna Skrepek, Hospitanz und Übertitel
Zine Tornquist, Grafik
Barbara Vanura, PR und Presse
Barbara Palffy, Fotographie
Peter Landsmann, Paul Landsmann,
Filmmitschnitt
Martin Horváth, Produktionsleitung
Jury Everhartz, Produktion
Mia can understand the language of plants. But there is no use for this ability in the world. At the employment office, she is placed in jobs where plants are traded like objects. But she is no good either as a flower seller or in the large gardening business, wherever she goes, she always understands too much about the needs of the plants. When she realizes that there is no longer room in the human world for those who can hear, she flees into another existence. Even if we cannot hear them, the silent sisters are not mute. Their language is growth, their ceaseless unfolding, multiplying, branching and differentiating is their narrative of overcoming entropy.
An opera about plants. Plants are not opera characters. You can only approach them through metaphors. First of all, in the intuitive way in which music can represent a language of plants. Julia Purgina has written lively and fragile music that makes botanical structures and the fractal growth of plants tangible. The language of plants. Even the human voice, which is used without words for the plants, can represent something “outrageous”, non-human. In her stop motion film, Julia Libiseller shows the tireless and surreal movements of leaves, blossoms and roots in their eternal search for light and water.
Miameide – opera in 8 scenes with a prologue
With text by Kristine Tornquist, music by Julia Purgina and stop motion film by Julia Libiseller
A sirene-production in cooperation with PHACE and Momentum Vocal Music
26.Jun.2023, 19:30
REAKTOR
Geblergasse 40, 1170 Wien
büro lunaire
Gina Mattiello, text, voice
Reinhold Schinwald, sound design, live electronics
Florian Kindlinger, Sound
PHACE
Ivana Pristašová Zaugg, violin
Petra Ackermann, viola
Roland Schueler, cello
Eine Produktion von büro lunaire in Kooperation mit PHACE und REAKTOR.
The text of the live radio play is an attempt of poetic intensification in the form of footnotes. The author moves in space around a Kunstkopf-microphone while speaking the text. The recordings are played to the audience in real time via wireless headphones. Consequently, the audience not only perceive the text from the narrator’s perspective, but also immerse into an interplay between closeness and distance, interior and exterior perception, as well as real and artificial spaces. Remains of landscapes emerge, memory particles, day or night dreams: fragments rushing away in different directions. The language oscillates between what the author perceives, as well as objets trouvés from thevisual arts, literature and philosophy. The compositions for string instruments and live electronics woven into the text allow the literary fragments to grow into the imaginary.
Program
Christoph Herndler
Abschreiben (2005) Streichtrio
Clara Iannotta
dead wasps in the jam jar (2014-2015) Violine
Reinhold Schinwald
empreintes III (UA, 2023) Streichtrio und Live-Elektronik
Franck Bedrossian
The Spider as an Artist (2014) Violoncello und Verstärkung
Klaus Lang
die ränder der welt (2005) Violine
Enno Poppe
Fingernagel (2009) Violine und Viola
Rebecca Saunders
hauch (2018) Violine
Gérman Toro Pérez
Rulfo / ecos II (2006) Streichtrio und Live-Elektronik
7.May.2024 // 19:30
Wiener Konzerthaus, Berio-Saal
PHACE Series 23/24 – N°3
PHACE
Doris Nicoletti, flute
Walter Seebacher, clarinet
Reinhold Brunner, clarinet
Michael Krenn, saxophone
Mathilde Hoursiangou, piano
Berndt Thurner, percussion
Ivana Pristasova Zaugg, violin
Petra Ackermann, viola
Roland Schueler, cello
Maximilian Ölz, double bass
Alexandra Dienz, double bass
and many more …
SOUND DESIGN
Alfred Reiter
PROGRAMM
Sarah Nemtsov
Sechs Zeichen for cello und (prepared) piano, 2010
Mikel Urquiza
Opus Latericium for flute, saxophone, clarinet and piano, 2018
Katharina Rosenberger
New piece(wp), 2023/24
Comissioned by PHACE
Victor Ibarra
New piece (wp), 2023/24
Commissioned by PHACE, funded by Sistema Nacional de Creadores de Arte (FONCA) Mexico
Jorge Sanchez-Chiong
Animal Smileys for string trio and electronics, 2022
Opus Latericium is inspired by a Roman adobe construction of the imperial period. Triangular bricks, united to a dotted, polished, hard and refractory surface: from the outside, the repetitive music of Mikel Urquiza destructively hammers in time-lapse the hard shell, exposes the ruin. What remains of the wall shows little resemblance to the beginning. Fractured and weathered, a scattered remnant. Sechs Zeichen by Sarah Nemtsov is also built on a deceptive foundation of instability. What seems static begins to take on a life of its own and change shape. Fragile sounds of longing, wrapped in a mysterious veil of sound, enter into an interplay with the insistent throbbing of sharp-edged sounds, rocking up to opposing poles that ultimately cancel each other out. In Animal Smileys, Jorge Sanchez-Chiong uses completely different tools to create music that is no less intense. Strange string sounds, dragged through the experimental laboratory of electronic effects, deformed, denatured, saturated. A rich sound experience that makes the ears gyrate on the experimental trance floor. Victor Ibarra’s compositions are usually characterized by a very precise handling of harmonies and tone structures and attention to rhythmic accents. In contrast, Katharina Rosenberger’s works question both musical production and reception habits from several angles. Both of them will probably contribute very different new works to the concert.
Sichern Sie sich jetzt Ihr Abo und werden Sie Teil der
PHACE-Community!
Als AbonnentIn erhalten Sie von uns eine Woche vor jedem Konzert per Post genauere Informationen zum Konzert.
Einheitspreis
Mitglieder 61,10 Euro
Normal 74,- Euro
Rollstuhlplatz + Begleitperson
Mitglieder 64,20 Euro
Normal 70 Euro
Jugendmitglieder der WKHG
Normal 36,- Euro
Preise Einzeltickets ab Herbst 2022 verfügbar!
20.Mrz.2024 // 19:30
Wiener Konzerthaus, Berio-Saal
PHACE Series 23/24 – N°2
PHACE
Doris Nicoletti, flute
Walter Seebacher, clarinet
Reinhold Brunner, clarinet
Michael Krenn, saxophone
Mathilde Hoursiangou, piano
Berndt Thurner, percussion
Ivana Pristasova Zaugg, violin
Petra Ackermann, viola
Roland Schueler, cello
Maximilian Ölz, double bass
Alexandra Dienz, double bass
and many more …
SOUND DESIGN
Alfred Reiter
PROGRAM
Raquel García-Tomás
Estudio Sonomecánico no. 1 – Tiempo Suspendido for ensemble, electronics and video, 2018
Lorenzo Troiani
La voce delle conchiglie for amplified bass clarinet and electronics, 2022
Joanna Bailie
Dissolve or ensemble, electronics and video, 2020 (ÖEA)
Daniela Terranova
Rainbow Dust in the Sky for string trio, 2018 (ÖEA)
Clara Iannotta
Outer Space for bariton saxophone, percussion, electric guitar, object performer, film und electronics, 2018
Film by Peter Tscherkassky
A woman, on the run from her own reflection, pursued by invisible enemies, driven into an errant scenario of annihilation. A horror-like dance of faces and reflections that spills over the edges and takes possession of the space outside. With music by Clara Iannotta, Peter Tscherkassky’s short film Outer Space unfolds an almost overwhelming sensual effect. Music and film are closely intertwined in very different ways in Estudio Sonomecánico no. 1 – Tiempo Suspendido by Raquel García-Tomás. Less of a soundtrack or background to the images, García-Tomás allows cinematic gestures and movements to emerge anew in the music and approaches standstill and timelessness with humorous everyday images. Daniela Terranova takes the musical classic “Over the Rainbow”, burned into the collective memory by Judy Garland in the Wizard of Oz and a Hawaiian ukulele, as the starting point for Rainbow Dust in the Sky. Subtly pulverized and crushed to dust, the tracks of the song become nuanced, diluted echoes that, circling meditatively within themselves, suggest the ritualistic character of a lullaby. A constant, unstoppable flow is evident in Joanna Bailie’s Dissolve. In time-absorbing transitions, both the film and the sonic events alternate between concrete states and abstract moments, reality dissolves beyond recognition. Lorenzo Troiani goes into the inner world, playing in La Vita delle Conchiglie with the returning resonances and feedbacks in the body of instruments, creating a hidden and mysterious sound world, as if inside a conch shell.
Sichern Sie sich jetzt Ihr Abo und werden Sie Teil der
PHACE-Community!
Als AbonnentIn erhalten Sie von uns eine Woche vor jedem Konzert per Post genauere Informationen zum Konzert.
Einheitspreis
Mitglieder 75,10 Euro
Normal 91,- Euro
Rollstuhlplatz + Begleitperson
Mitglieder 81,50 Euro
Normal 89,50 Euro
Jugendmitglieder der WKHG
Normal 48,- Euro
Preise Einzeltickets ab Herbst 2022 verfügbar!
9.Jan.2024 // 19:30
Wiener Konzerthaus, Berio-Saal
PHACE Series 23/24 – N°1
CONDUCTORS
Nacho de Paz
PHACE
Doris Nicoletti, flute
Walter Seebacher, clarinet
Reinhold Brunner, clarinet
Michael Krenn, saxophone
Mathilde Hoursiangou, piano
Berndt Thurner, percussion
Ivana Pristasova Zaugg, violin
Petra Ackermann, viola
Roland Schueler, cello
Maximilian Ölz, double bass
Alexandra Dienz, double bass
and many more …
SOUND DESIGN
Alfred Reiter
PROGRAMM
Alexander Kaiser
[ˈprɪz(ə)m] for six musicians, 2014 (rev. 2016)
Emre Sihan Kaleli
A Dark Light / A Black Sun for ensemble and electronics, 2023 (wp)
Comissioned by PHACE
Fausto Romitelli
Professor Bad Trip: Lesson I – III for ensemble and electronics, 1998-2000
Inspired by the descriptions of the effects of mescaline in the works of Henri Michaux, Fausto Romitelli’s work is all about “the artificial, the distorted, the filtered.” Romitelli forges sound sculptures that materialize like surreal musical visions of the deformations, distortions and disfigurements in Francis Bacon’s paintings. Influenced by the distorted and “dirty” sounds of psychedelic rock music, Romitelli creates a unique music that unfolds waves of melodic fragments over seductively fragile harmonies and exalted embellishments and rushing glissandi, only to collapse again and again. Material is jolted, develops expressive metastases, like a virus-infested musical mutant that becomes a beautifully ghoulish monster and captivates. The music of Alexander Kaiser, who in [ˈprɪz(ə)m] takes on the promises of an ideal world through area-wide monitoring of communication in the Western hemisphere, has a similarly wild balance sheet. Musically, the piece can be understood as a transformation of energy, with diverse influences from jazz, punk and electronic music merging into a rhythmically pronounced soundscape. More than enough expressive energy can usually be found in the music of Emre Sihan Kaleli, who likes to work with intensities, impulsivity and changeability and will contribute a new work for the concert.
Sichern Sie sich jetzt Ihr Abo und werden Sie Teil der
PHACE-Community!
Als AbonnentIn erhalten Sie von uns eine Woche vor jedem Konzert per Post genauere Informationen zum Konzert.
Einheitspreis
Mitglieder 61,10 Euro
Normal 74,- Euro
Rollstuhlplatz + Begleitperson
Mitglieder 64,20 Euro
Normal 70 Euro
Jugendmitglieder der WKHG
Normal 36,- Euro
Preise Einzeltickets ab Herbst 2022 verfügbar!
CONDUCTOR
Nacho de Paz
PHACE
Doris Nicoletti, flute
Walter Seebacher, clarinet
Reinhold Brunner, clarinet
Michael Krenn, saxophone
Mathilde Hoursiangou, piano
Berndt Thurner, percussion
Ivana Pristašová Zaugg, violin
Petra Ackermann, viola
Roland Schueler, cello
Maximilian Ölz, double bass
Alexandra Dienz, double bass
and many more …
The surface reveals nothing about the nature of the reverse side. The closer you get to it, the greater the counterpressure. Whoever wants to cross the threshold to see what lies behind it must expend an additional measure of energy. In LIMINA, everything revolves around the idea of considering sound and image as material into which one immerses oneself in order to forge one’s physical features as well as one’s mode of perception. Distorted images, deformed reflections of what has been, bent perspectives, following their own logic generate audiovisual constellations where reality melts into unrecognizability. Processes of extreme deceleration and acceleration, let us examine, as if with a magnifying glass, how grainy, holey, luminous, dense and elastic a sound can be when viewed from the other side of the threshold.
Before each concert, at 6:45 p.m., Juri Giannini will speak with composers of that evening at Salon PHACE
Termine in diesem Zyklus
DI 09.01.2024 KH Zyklus 1 – PHACE | PROFESSOR BAD TRIP
MI 20.03.2024 KH Zyklus 2 – PHACE | TIEMPO SUSPENDIDO
DI 07.05.2024 KH Zyklus 3 – PHACE | ANIMAL SMILEYS
Details zum Programm finden Sie auf den jeweiligen Seiten.
Sichern Sie sich jetzt Ihr Abo und werden Sie Teil der
PHACE-Community!
Als AbonnentIn erhalten Sie von uns eine Woche vor jedem Konzert per Post genauere Informationen zum Konzert.
Einheitspreis
Mitglieder 61,10 Euro
Normal 74,- Euro
Rollstuhlplatz + Begleitperson
Mitglieder 64,20 Euro
Normal 70 Euro
Jugendmitglieder der WKHG
Normal 36,- Euro
Preise Einzeltickets ab Herbst 2023 verfügbar!
CONDUCTORS
Nacho de Paz
Lars Mlekusch
PHACE
Doris Nicoletti, flute
Walter Seebacher, clarinet
Reinhold Brunner, clarinet
Michael Krenn, saxophone
Mathilde Hoursiangou, piano
Berndt Thurner, percussion
Ivana Pristasova, violin
Petra Ackermann, viola
Roland Schueler, cello
Maximilian Ölz, double bass
Alexandra Dienz, double bass
and many more …
On the centenary of Pier Paolo PASOLINI’s birth, Stefano Gervasoni and Paolo Pachini are searching in images and voices for the junction point between barbarism and civilization, for human authenticity, the heart of Pasolini’s vision. With this homage we start into new vocal-instrumental spheres, which span the arc from traces of Franco-Flemish vocal polyphony by Josquin Desprez to the voice-acrobatic miniature dramas Aventures and Nouvelles Aventures by György Ligeti – the second centenerian. With this pioneer of modern music, we continue the discourse on vocal-instrumental expression opened with Pasolini – the voice wanders with precision away from the level of meaning towards a labyrinthine amalgamation of imaginary actions and exaggerated emotions. New spaces open up between these program points: contours melt, sounds rub and grind, pulsate, flicker, melt away, are torn apart. An interplay of near and far: the view from a distance into the microscopic world of sound, into its granularity and brittleness and ultimately into silence.
Prior to each concert, at 18:45, Juri Giannini will discuss the pieces with the composers of the evening.
Dates in this series:
WED 23.11.2022 KH series 1 – PHACE | PASOLINI
TUE 31.01.2023 KH series 2 – PHACE | CHROMA
TUE 28.03.2023 KH series 3 – PHACE | BLUR
TUE 29.05.2023 KH series 4 – PHACE | NOUVELLES AVENTURES
Get your ticket now and become a member of the PHACE-Community!
As subscriber you will get detailed information sent by post mail one week before the concerts.
Subscriber Price
members EUR 75,10
regular price EUR 91,-
Wheelchair space + accompanying person members
members EUR 81,50
regular EUR 89,50
youth subscription
regular EUR 48,-
Prices of single tickets are available as from fall 2022!