ins Innere

31.Mrz.2023 / 20:00
Osterfestival Tirol,
Hall i.T.,  Salzlager

PHACE
Doris Nicoletti, flute
Walter Seebacher, clarinet
Michael Krenn, saxophone
Mathilde Hoursiangou, piano
Berndt Thurner, percussion
Ivana Pristašová Zaugg, violin
Petra Ackermann, viola
Stefanie Prenn, cello
Maximilian Ölz, e-bass
Alexandra Dienz, double bass
Samuel Toro Pérez, e-guitar

SOUND DESIGN
Christina Bauer

At this year’s Osterfestival Tirol, PHACE plays with the most diverse forms of artistic expression, lets them seamlessly merge. In the spatial expanse of the Salzlager, sound, image, tone, reverberation and reflection concentrate, condense, lead to the inside. Beginning with Seven Colours by Sarah Nemtsov, which pays homage to her deceased mother – the painter Elisabeth Naomi Reuter – by letting colours be experienced through sounds and auditory perception. These acoustic images merge into Lorenzo Troiani’s La voce delle conchiglie. Troiani allows the inside of the shells to radiate outward. Raquel García-Tomás takes a fresh approach to image and sound in Estudio Sonomecánico no. 1 – Tiempo Suspendido, questioning the rigidity of mechanical time. Opposing this is Ondrej Adamek’s Chamber Nôise, a bow to Japanese Nô theater. Katharina Rosenberger’s blur abandons clear forms, works with washed out contours, blurring edges and outlines. Clara Iannotta’s setting of Peter Tscherkassy’s Outer Space forms a counterpoint: not only the music, but also the live musicians become part of the film. The final and resting point is Sarah Nemtsov’s Schwelle. Nemtsov reworks and fragments the Bach chorale Komm o Tod, du Schlafes Bruder, thus closing the circle.

Program

Sarah Nemtsov
Seven Colours for amplified cello, electric bass, prepared piano and sampler, drum set and electronics, 2018 D: 15‘

Lorenzo Troiani
La voce delle conchiglie for amplified bass flute and electronics, 2022  

Raquel García-Tomás
Estudio Sonomecánico no. 1 – Tiempo Suspendido for ensemble, elektronics and video, 2018

Ondřej Adámek
Chamber Noise for cello and double bass, 2010

Katharina Rosenberger
blur for flute, clarinet, percussion, piano, violin and cello, 2019
WIth support by Pro Helvetia Swiss Arts Council

Raquel García-Tomás
Excerpt from logolepsy / lethologica for  electronics, 2016 

Clara Iannotta
Outer Space for baryton sax, percussion, electric guitar, one object performer, film and electronics, 2018
Film by Peter Tscherkassky

Sarah Nemtsov
Schwelle for  electric guitar und cello, 2019/20